To Where and Back Again Trope

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Taking Back the Trope | Loveboat Taipei

This post was written by Abigail Hing Wen, writer of Loveboat, Taipei .  »

Taking Back the Trope

We never desire to talk about them: those stereotypes near Asian Americans have run into at one bespeak or another. The submissive girl. The nerdy guy. The lack of ego, a wonderful quality in a redeemed globe, but nosotros are non there yet.

These stereotypes have real consequences. I've experienced them as well as collected stories in my work in Silicon Valley and as a author. They prevent girls from being tapped as leaders in their critical determinative years, or from getting important mentorship and other breezy opportunities. Flick producers are left out of pictures for their own films, and no one speaks up. My friend David Yoon, author of Frankly in Honey, has talked about how Asian American guys and African American girls are least swiped on dating apps and how very rare it is to see an Asian American guy cast every bit a leading romantic man.

Stereotypes obscure the fuller movie of the diverseness amid Asian Americans. My Asian American daughter friends are leaders who rally people to social causes. My Asian American guy friends have stayed upwards all night making paper stars for a crush. They advise presidential candidates. They have made a lot of coin and spend information technology well.

Ane of my hopes in writing Loveboat, Taipei was to showcase more than of this multifariousness amid Asian Americans. The story has a cast of over thirty Asian American characters, and they are simply themselves: funny, quiet, timid, outrageous, sensitive, flirtatious, artistic—and all talented and flawed in their own ways. My favorite side characters are a group of boys who call themselves, "The Gang of Five." At first, they are bitter about certain stereotypes they face as Asian American guys, like Harvard-bound David, who grows a goatee to counteract his insecurities about appearing feminine.

Merely over the course of the story, The Gang of 5 begins to take back these stereotypes on their own terms. Marc coordinates hilarious photo opportunities to take back the Asian-dad photo-taking trope, then the martial artist trope—and his ambitions only abound from there. I love them for their vulnerability and transparency, despite trying not to be. I imagine them in a musical version of Loveboat, Taipei as a male child ring that periodically pops into the scene to deliver their truths, then stride off again. They serve as the Greek chorus to the overarching storylines, as Sophie and Ever develop as natural leaders, and Rick and Xavier duke it out for most romantic leading boy, and equally the characters take their hearts broken, brand bad choices, get back on their feet, autumn in dearest and discover they can exist anyone they want to be.

Fifty-fifty the main characters of their own stories.

As with all stereotypes, some people might fit them. Ever's parents at kickoff announced to be the quintessential strict Asian American parents, and Rick is the classic overachiever. Only they are even so multi-faceted individuals, as nosotros all are. Ever's mom volunteers at the church. Always's dad's preparation has enabled him to help his dyslexic younger daughter navigate her world—and serves equally a model to Ever. Whether or not a particular characteristic fits a stereotype, we should be free to exist ourselves. Because in the end, every bit I hope Loveboat, Taipei shows, we are all simply human.


This weblog mail is role of our on-going Real Talk weblog serial where we ask authors to get real near some of the most controversial and important topics of today.

About Loveboat, Taipei

"Our cousins have done this programme," Sophie whispers. "Best kept secret.Aughtsupervision."

And but like that, Ever Wong's summer takes an unexpected turn.Gone isChien Tan, the strict educational program in Taiwan that E'er was expecting. In its place, she finds Loveboat: a summertime-long free-for-all where hookups abound, adults turn a blind eye, ophidian-blood sake flows abundantly, and the nightlife runs nonstop.

But not every student is quite what they seem:

Always is working toward condign a doctor only nurses a cloak-and-dagger passion for dance.Rick Woo is the Yale-bound child prodigy bane of Always's being whose perfection hides a secret. Male child-crazy, style-obsessedSophie Ha turns out to have more to her than meets the eye. And under sexyXavier Yeh's beat out is buried a shameful truth he'll never admit.

When these students' lives collide, it's guaranteed to be a summer E'er volition never forget.

  • BuyLoveboat, Taipei now!
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  • How Do People Label You? Break Free of the Stereotype!
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